| Author | Comment | ||
|---|---|---|---|
billy ward |
Hi DOANE!!!! |
Lead | |
|
Folks, Let's give Doane a big welcome! this guy's playing is so diverse - he is such a great talent. And tgo top it off, he's a smart fellow as
well - who speaks well. Now, I r4ealize his schedule is very very busy, so let's enjoy whatever he has to give to us. Hi Doane!
|
|||
yamaha evans |
|||
|
Hi Doane! Looking forward to hearing from you...................
what sticks do you use? TC in MD |
|||
jhall |
|||
|
Fantastic.. love your playing, and look forward to reading whatever you might have to say.. Howdy Doane!!
|
|||
Sam |
Hi Doane! | ||
|
Héy Welcom to the board!
Love to hear the stories you have to tell! Sam |
|||
Doane Perry |
Hey there Forum Fellas!!! | ||
|
Well hello there and thanks for having me here! It's nice to feel part of this global drumming community and brotherhood!!! I've enjoyed reading all
the posts and it's just great to see Billy spreading some of the vast and very eccentric drum and percussion knowledge he has amassed in that
impressionistic storehouse of a cranium that he possesses! You know Billy and I have been friends for about 31 or 32 years by my accounting and I remember
what a huge impression he made on me when we first met. He came to NYC with a set a yellow Gretsch's. Not quite a jazz kit and not quite a rock kit and
he had all this bizarre percussion hanging off of it with cracked and weirdly riveted cymbals. Just the most off the wall drum kit.......and then he
played. He was like a mad scientist's version of Keith Moon married to Elvin Jones, who just happened to be two of my very favorite players. Well, I GOT
him right away and we became instant friends. I recall thinking, "Man, is this guy an amazing 'accident' waiting to happen". And of course
when other people heard him, they felt the same way and he very quickly became known in the more esoteric jazz and rock circles around NYC. And I now
everyone knows about him and I am just so delighted that people are getting turned on to his way of doing things.
GEEEZ.....how did I get off on all of that??!!! I guess this is what people mean about my "windiness". OK, so that concludes this part of
tonight's broadcast. Signing off and going to sleep!!! See you guys later!!!
DP
|
|||
Mainely Drummer |
Doane ..We Hardly Know Ye | ||
|
Hello Doane:
Thanks for your time, and thanks to Billy for setting this up. Chicago is windy, your conversational style is delightfully detailed, love the stories/ perspectives on Billy. I recently posted a story about Stan Lynch, former drummer for Tom Petty and The Heartbreakers, and how he grew out of being a "timekeeper" for that band (his words) and felt he had to grow into a new phase of his career. So my question is, how do you, and the guys in Jethro Tull, keep the passion going after all these years? Not that I am a Spring Chicken myself at the age of 50, but we have had many discussions about how the music industry has changed with the advent of technology. Put another way: Jethro Tull is an "old school" act, how do you and the guys in Jethro Tull keep the audience,and yourselves, involved musically in an era where technology tends to rob the musical experience of it's uniqueness? (Growing up in the 70s the concert "event" was so huge, now, in the couch potato generation, people are content in some instances to watch a show in the I Phone...I got that phrase from Levon Helm who described music from the Participation generation (Music was created and participated in, not watched or "consumed") and the couch potato generation (Music is largely consumed but not created) Now I'm getting windy.. |
|||
Mario Leme |
HEY, HI! | ||
|
Hi, Doane, it's really cool to have you here with us.
I don't have any questions to ask right now, having been caught offguard by Billy's promptness in bringing us one of my favorite drummers: you! So here goes my congratulations for your incredible playing, one of the most amazing combinations of musicality, technique, good taste, precision and high power - you're from the rarest of breeds! I'd also like to mention how much you have moved my soul with the words you wrote about the wonderful Mark Craney when he passed away. That has shown the huge size of your own soul. |
|||
Desdecado |
Hey Doane. Greetings and salutations from the member on the edge | ||
|
Another question. How has digital downloading affected Tull's sales and abilities to tour? Positives? Negatives? Thanks...and RAWK ON Dude!
Last Edited By: Desdecado
03/13/08 11:20:25.
Edited 1 times.
|
|||
Mainely Drummer |
Throwing In The Stan Question | ||
|
From Billy:
Hey Doane, Nobody has asked you anything yet - so I'll toss this one out. And BTW, feel free to answer with short breif sentences. We have a thing going on about Stan Lynch, who is apparently in the current Modern Drummer (which most of us don't yet have). I met him and hung out on a few occasions. I always admired the "lope" in his feel when he played time - and then it occured to me that you also have this in your playing... So now I'm, wondering if it's because you are both tall gents! Whadoyathink? Longer arms and legs = more lope? |
|||
Mainely Drummer |
Doanes Drum Solos | ||
|
Doane has a great personal web page I just discovered .(you know me the internet troll)
Here is a link to the page and some drum solos with Jethro Tull and other artists: http://www.doaneperrypage.de/drumsolos.html |
|||
scottc61 |
Snot running down his nose.... | ||
|
Mr. Doane, Please allow me to give you a "Laurel and Hardy" welcome. I've been a Tull Fan for a loooooooong time and love your playing w/the
group.
So, I have a "Behind the Music" type question for you (Tobin, I gotta have MORE COWBELL), how did you wind up getting the Tull gig? Please be as "windy" as you would like..... Glad to have you here...last time I was in a VIP Room, it was at the Cheetah....oh never mind.....
Get Scattered, Smothered and Crother'd: www.crothersbrothers.com
|
|||
Doane Perry |
And hello again..... | ||
|
Hey there,
I'm not sure yet how to answer these questions individually to each post.......maybe I can't, so I'll do my best to answer them "en
masse".
First, let me point out that the web page that you discovered is not an official website and is not in any way governed by me. There is a fan in Germany who put the site up and runs it but I don't really get involved in it in any way. As a result, there is some erroneous information on their, as well as some large gaps, historically speaking so you have to take it all with the grain of salt.
First to address Stan Lynch question. I think it might have something to do with our respective height and long arms. I have noticed that drummers with long
extremities sometimes share that" loping" characteristic that you refer to and I am delighted to be in anyway compared to Stan, because I love his
playing and his feel.The other thing that I can attribute that to, in my own case, is from studying the martial art, Tai Chi. I remember one of the first
times that I saw myself playing back on a video, I was struck by the movement of my arms looking very much like what I had studied in Tai Chi. That have a
tremendous effect all my overall playing approach and it helped to keep me relaxed, playing at intense levels and sometimes intense volumes. Today
thankfully, we play much quieter.
Desdecado asked this: My question is Tull started as a very English folk/traditional inspired and influenced band, it then became more
'commercialized' probably for it's own continued existence and due to label pressures. Is there any plans for Tull to 'return to their
roots' via a 'unplugged' type of offering?
We always had a unplugged part of the show that we do where I come down to the front of the stage and play either a very small miniature drum kit, some bongos, assorted percussion and glockenspiel and that will remain in the show for the 40th anniversary tour, which we are just about to begin. We also have an acoustic CD compilation called, "The Best of Acoustic Jethro Tull"
Another question. How has digital downloading affected Tull's sales and abilities to tour? Positives? Negatives?
It has not really significantly affected our ability to tour in any measurable way. And I think that all the fans who download music, whether it is bootlegged or legitimate releases, still go out and buy the official CD's anyway. ------------------------------------------- By the way, does anyone know how I can answer some of the questions on here individually? It would be a lot simpler than trying to answer them in one giant response and a lot easier to keep straight as well! Thanks!!!
And thank you all for you kind comments about my playing. I love my work and consider myself an "eternal student" to quote Danny Gottlieb.
Hang in there. I'll try to get to all of these questions once I can figure out this weird Yuku protocol. It's a little confusing and I'm trying
to keep track of the questions and different sub forums, plus I seem to have finally succumbed to this hideous flu thing that seems to be going around and it
feels like it has reduced my ID to low double digits which doesn't help in trying to figure this out...blah, blah, blah!!!
Best to everyone!
DP
|
|||
Doane Perry |
In response to "What are you doing now?" | ||
|
HA - I just re-read my last post and had to laugh. That's EXCELLENT flu medication I'm on, that's all I have to say!!! I meant to say, " and
it feels like it has reduced my IQ ( not my ID!!) to low double digits which doesn't help in trying to figure this out...blah, blah, blah!!! Apart
from some other bad grammar in the last post, I think you get the idea!
And to answer the question about what I'm doing, I hope it's OK if I do a little cut and pasting here from some Tull promo stuff that came out a few months ago. It will save a LOT of typing and give my flu addled brain a break! So......... Over the last 10 months I have been involved in a number of outside writing and recording projects. I have been working with my long time musical partner, Vince DiCola on tracks for the upcoming Thread CD. Roine Stolte, the guitarist from Sweden's "The Flower Kings" is also going to be working on it with us. We have been writing and recording for several months with a view to releasing the record and performing some time later in 2008. We have some great tracks already recorded with possibly enough for a double CD and it is a substantial step forward from the last Thread CD. We're looking forward to getting it out there and performing it.
Recently, I completed composing and recording a solo marimba, percussion and drum piece entitled "Balindian Taiko Skeleton Dance" for a project called "Congo Square", which is a benefit CD that is being put together to directly assist the New Orleans musicians that were affected by Hurricane Katrina. It is a rather eclectic piece, loosely based around my interest in Balinese Gamelan, Japanese Taiko drumming, Indian, African and a little bit of Western music. This will be coming out at the end of 2007.
I have also been working on mixing tracks for a live album from the tour with Martin Barre and Willy Porter that we recorded on tour back in 2004. That is coming together pretty well and we hope that we will also have it out sometime in late 2007, early 2008.
I have recently been writing and recording some instrumental tracks with my old friend and phenomenal jazz-rock guitarist Bill Derby at my home studio and we hope to have our record completed by early to mid-2008.
Finished a trilogy of records which comprises a core group of myself, Vince DiCola-keyboards and Paul ILL-bass. The first record is entitled "Pity The Rich", which also features Reeves Gabrels (David Bowie, Tin Machine) on guitar and Vincent Kendall on vocals. The second one is simply entitled "DPI" (DiCola, Perry, ILL) and is the just the core trio. The third one is being edited and mixed now and will feature some other guest artists. They are all very exploratory, although different from one another and based on a series of extemporaneous improvisations which we have edited down to have some compositional structure. It is very, very different from Thread and certainly Jethro Tull, and probably relates more to Miles Davis' electric improvisational periods and early Weather Report along with some other more obscure influences. It was great fun doing them and I expect we will explore more of that territory in the future with different groups of guest musicians.
Worked on an album called "Roots, Rock and Revolution" with two fantastic songwriters, who call themselves "Emma's Revolution". Great artists and we recorded it "old school" style, with all the musicians playing at once and in real time. What a concept! It turned out beautifully. Check them out.
Played drums on three tracks for an upcoming Led Zeppelin tribute record. Ironically the drum kit that I was playing in the studio where we recorded, belonged to Jason Bonham, John Bonham's son. As we were recording the tracks, I was playing Jason's drums and staring at the drum cases sitting stacked on top of one another in front of me, which all simply read "BONHAM". That was a little bit strange and I had to try to put that out of my mind as we were recording these classic Zeppelin tracks. The bass player was the phenomenal Tony Franklin, Jimmy Page's bassist in "the Firm" plus a constellation of great guest star guitarists and singers. John left a huge paw print on that music and it was quite challenging to try to put my own spin on that music with all of the ties to the band's members, literally surrounding me. It will be released in 2008.
Will be starting a record in late winter 2007 with Travis Dickerson on keyboards and Buckethead (Guns and Roses) on guitars, that is going to be wild, experimental and very different from all of the aforementioned projects. Looking forward to how that will turn out!
There are a few other very interesting writing and recording projects in various stages of development which I will be posting more about in detail on the Tull website, as they progress.
In addition to some essays and other unrelated music writing, I have started work on a book, not an autobiography, that is proving to be a substantial undertaking. Because of the nature of the material, it is going to take some time to complete. There's a lot of research and interviewing involved and that is all I am prepared to say about it at this point. It's going to take as long as it's going to take. It's quite a process and I am doing it between all of these other projects, in addition to the commitments in 2007 and 2008 with Jethro Tull.
Then I hope to have a little rest.
|
|||
Mainely Drummer |
To awnser individually.. | ||
|
Hi Doane:
Thanks for the detailed responses to some varied questions. My advice: Don't look at a computer screen until you start feeling better! To reply to an individual question, look to the LEFT side of the screen. Under each members picture (avatar as it is called) there are two words in red ("Reply" and "Quote") and One in Black. ("More") To reply individually use the RED reply link under the member picture, if you use "Add Reply" using the blue and white button on the top right, you are replying "en masse". Hope this helps, rest and relax! |
|||
Doane Perry |
|||
|
Thanks for that info! Just trying to get familiar with how this forum works and this YUKU thing!
|
|||
Mainely Drummer |
|||
|
Doane:
I read the interview at vision4music.com, really outstanding and detailed stuff. What blew my mind was that Billy Cobham was your drum instructor in...High School? Thats sort of like Lady Luck and Destiny dropping into your lap and pointing a solid path for the future. Anything that you can remember he said or did that gave you a breakthrough in your playing? Was this before his association with Mahavishnu but during the time he played with Miles Davis? Was he a guest instructor? |
|||
Doane Perry |
|||
|
Thank you and glad you enjoyed the interview. I studied with Billy at the end of his time with "Dreams" the great horn band that the featured the
Brecker Bros. and John Abercrombie, among others and into his first year to year and a half with Mahavishnu. It was pretty intense and needless to say I was
VERY lucky to have a teacher like that at that point in his development. I got to watch him discover some of that extraordinary technique and power and it was
a revelatory experience to say the least. And yes in High School, in 11th and 12th grades. SO MANY things he taught me........committment to every note,
conviction, dynamics, applying rudiments to the kit, visualizing phrases, conceptual applications of my own technique to the kit. I studied with him at Frank
Ippolitto's Drum Shop at 50th and 8th Ave in NYC on the 3rd floor, where Tony Williams, Elvin Jones, Jo Jones and Jim Chapin (who I was also lucky enough
to study with there) among many others, taught. Right place, right time and believe me, I KNOW how lucky I was!!!
|
|||
Doane Perry |
WHERE DID IT GO????? | ||
|
PS - Can anyone tell me WHERE all of the "document options" at the top have disappeared to, when you reply? A few days ago, when you were previewing
a post, you could italicize, or put in bold, change the font, even spellcheck. etc, etc, like a regular word document but all of those options seem to have
disappeared, when you hit the "reply to" tab. Now it just lumps everything into one huge paragraph. Is it me, YUKU or this friggin' flu
medication????!!!!! Sorry! DP
|
|||
Doane Perry |
|||
|
Hi Scott, I'm going to see if I can find a link to an interview where I might have explained about how I got the Tull gig. It is a LONG story and it is
documented in quite a few places but I have to find them first and then direct you to them. Hope that's OK Scott. Thanks, DP
|
|||
Mainely Drummer |
Document Options | ||
|
Yuku Universe is a weird place to be, we can blame Billy for that!
Doane, I think that (at least from my local computer) it takes some time to initially load the smilie and document options. After it loads, I can speak in any color I like? If you are still having problems let us know. Thanks for the GREAT responses! |
|||
Doane Perry |
|||
|
Thank you "Mainely Drummer"! Sorry I don't know your name! What IS your name? Still can't get that document stuff to load however.
HARRRRUUUUUMMMMPPPPHHHHH!!!!!!!!! Maybe I'll try Firefox. Perhaps it doesn't like Safari. DP
|
|||